For me painting as a reason and as an action concerns 'the deep persistence of the colours' which determine exactly the boundaries of the endogenic expression of the conscious and unconscious, the illusory but mainly my fortuitous sensorium.
This 'chromatic persistence' reveals how much I revolve as a unit and how the existing and oncoming world do the same within or beyond gravitation.
The lingual dialects create "perception" while they are multiplied and float around until they are assimilated by the major language or until they vanish completely due to uselessness.
The ephemeral dialects, though, as formulated cosmic theories until today whereas they use unblushingly the same sense with different meanings so as for the insignificant to become significant and vise versa, are struggling perpetually until they acquire the sense of creativity.
With a surrealistic disposition in my painting the people, the senses, the situations, the objects are trapped in the footprint of an idea where they change roles of action and thought adopting others-probably new ones so as to acquire conscience of the feasible. This is the way I equate my paintings to the perception I have for "being".